{"code":0,"data":[{"keyword":"LOTUS","content":"LOTUS ROOTS","is_link":false},{"keyword":"CATEGORY","content":"DESIGN LOTUS","is_link":false},{"keyword":"ENTRANT COMPANY","content":"SHISEIDO CREATIVE, TOKYO","is_link":false},{"keyword":"TITLE","content":"TRACES OF TRANCE","is_link":false},{"keyword":"BRAND","content":"SHISEIDO","is_link":false},{"keyword":"ADVERTISER","content":"SHISEIDO","is_link":false},{"keyword":"AGENCY","content":"SHISEIDO CREATIVE, TOKYO","is_link":false},{"keyword":"CHIEF CREATIVE OFFICER","content":"SO GEORGE SUGITOMO","is_link":false},{"keyword":"EXECUTIVE CREATIVE DIRECTOR","content":"NOBUTO YOJI","is_link":false},{"keyword":"ART DIRECTOR","content":"RIRIKO SANO","is_link":false},{"keyword":"COPYWRITER","content":"KUNIAKI YAMAMOTO","is_link":false},{"keyword":"EXECUTIVE PRODUCER","content":"OSAMU YAMANOUCHI","is_link":false},{"keyword":"AGENCY PRODUCER","content":"SAKI MICHIMOTO","is_link":false},{"keyword":"DESIGNER","content":"QIANYA XU","is_link":false},{"keyword":"PHOTOGRAPHER","content":"TAKAAKI UBA\/YUSUKE HAYASAKA\/RYUSEI KASHIWAKURA\/MIYU YAJIMA\/HONOKA MATSUSHITA","is_link":false},{"keyword":"RETOUCHER","content":"TETSUYA  TAKIGUCHI\/AYAKO NOMOTO","is_link":false},{"keyword":"FILM PRODUCTION COMPANY","content":"AOI PRO. INC., TOKYO","is_link":false},{"keyword":"DIRECTOR","content":"SOSHI SASAKI","is_link":false},{"keyword":"SECOND CAMERA","content":"KYOHEI KIKKAWA","is_link":false},{"keyword":"PRODUCER","content":"OI IIDA","is_link":false},{"keyword":"MOTION CAPTURE DESIGN","content":"YUKI YAMADA","is_link":false},{"keyword":"EDITOR","content":"YURIE ARIJI ","is_link":false},{"keyword":"POST-PRODUCTION COMPANY","content":"TREE DIGITAL STUDIO INC., TOKYO","is_link":false},{"keyword":"PRINT PRODUCTION COMPANY","content":"KAWASHIMA SELKON, KYOTO","is_link":false},{"keyword":"WEAVER","content":"KEISUKE TOGAWA (KAWASHIMA SELKON TEXTILES CO.,LTD.)\/HANAKO KIMURA (KAWASHIMA SELKON TEXTILES CO.,LTD.)","is_link":false},{"keyword":"MANAGER","content":"KAZUNORI TAKIGAMI (KAWASHIMA SELKON TEXTILES CO.,LTD.)","is_link":false},{"keyword":"CULTURAL CONTEXT EXPLANATION","content":"Kabuki is one of Japan’s most revered “living national treasures,” guarded by hereditary families and governed \r\nby strict conventions. Its world is famously closed; techniques, choreography, and even backstage practices are rarely shared with outsiders. Within this context, the main curtain of Shinbashi Enbujō is not just décor but a symbolic boundary between everyday life and the heightened world of performance.\r\n<br>\r\n<br>For the theater’s 100<sup>th<\/sup> anniversary, Shiseido chose to participate in this culture on its own terms, not through advertising but through a long-term gift. A secret element of Kabuki—the invisible trajectories of a dance—\r\nwas captured for the first time with motion-capture technology and then woven, by master artisans, into the new curtain using traditional Nagashi-ori techniques and colors drawn from centuries of Japanese cosmetics.\r\n<br>\r\n<br>The work is culturally relevant because it respectfully opens a closed art form, strengthens the bond between Ginza and its historic theater, and demonstrates how a modern brand can act as custodian, rather than consumer, \r\nof Japanese heritage.","is_link":false}],"files2":[{"name":"LRDE_004.mp4","type":"mp4"},{"name":"LRDE_004_DI01L.jpg","type":"jpg"}],"count":2}