WINNERS: ADFEST 2020 LOTUS AWARDS WINNERS REVEALED! | |
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ADFEST
is delighted to announce the winners of the ADFEST 2020 Lotus Awards, announced
at today’s online ceremony on Monday 15th February 2021, 6:00pm
(UTC+7). These awards were scheduled to take place in Thailand last year, but
were postponed due to the coronavirus pandemic. With 60 jurors, the judging
process was guided by Grand Jury President Judy John, Global Chief Creative
Officer at Edelman, Toronto.
Vinit
Suraphongchai, Chairman of ADFEST, said: “After
a turbulent year, it was wonderful to come together again as an industry –
albeit virtually – to celebrate ground-breaking ideas. Our jury was looking for
ideas with innovative thinking at the core, along with powerful brand messages
with strong impact. It is no easy feat
to win a Lotus trophy: all winners should be very proud.”
Jimmy
Lam, President of ADFEST, said: “We would
like to thank our all-star jury for their dedication to judging these awards,
along with everyone who has waited so patiently for these results after a long
postponement. All winning work proves the power of creative problem solving and
the diversity of ideas in our region. Congratulations to all winners.”
ADFEST’s
highest accolade is the ‘Grande’ trophy, with 11 Grande winners at ADFEST 2020:
·
Brand Experience Lotus Grande: Foxtel ‘Grave of Thrones’ campaign by Revolver,
Sydney and DBB Sydney, Sydney ·
Design
Lotus Grande: Mori
Building’s ‘Mori Building Brand Movie Designing Tokyo’ by Dentsu Creative X
Inc., Tokyo and Dentsu Inc., Tokyo ·
Digital
Craft Lotus Grande: Amazarashi’s ‘The Dystopia Experience’by Six Inc., Tokyo, Hakuhodo Inc.,
Tokyo and Hakuhodo Kettle Inc., Tokyo ·
Direct
Lotus Grande: NRMA
Insurance ‘NRMA Safety Hub’ by CHE Proximity, Melbourne ·
Film
Craft Lotus Grande: Mori Building’s ‘Mori Building Brand Movie Designing Tokyo’ by Dentsu
Creative X Inc., Tokyo and Dentsu Inc., Tokyo ·
Film
Lotus Grande: DB
Export’s ‘I’m Drinking it for You’ by Colenso BBDO, Auckland ·
INNOVA
Lotus Grande: Tuna
Scope for Sojitz Corporation by Dentsu Inc., Tokyo ·
Mobile
Lotus Grande:
Amazarashi’s ‘The Dystopia Experience’, by Six Inc., Tokyo, Hakuhodo Inc.,
Tokyo and Hakuhodo Kettle Inc., Tokyo ·
Outdoor Lotus Grande: ANZ Bank Australia’s ‘Signs of Love’, by Revolver, Sydney and TBWA\Melbourne,
Melbourne ·
Print
& Outdoor Craft Lotus Grande: Chupa Chups ‘A Sweet Escape Campaign: Homework/Music/Tidy-Up’ by Cheil,
Hong Kong and Illusion CGI Studio, Bangkok ·
And the Grande that recognizes excellence in
Corporate Social Responsibility or Public Services & Cause Appeals, the Grande for Humanity: ‘A Team of One’ for Tencent Foundation’s China Organ Donation by Loong, Beijing.
Ted
Lim was one of seven Jury Presidents
overseeing Branded
Entertainment Lotus & Effective Lotus.
He said: “We need forums like ADFEST to recognise good work and set standards
so the industry has a North Star to look to and learn from, to produce more of
the ads that people love and less of the ads that people loathe.”
James
Burchill, Creative Founder of Rumble/Rumbletown Group in Brisbane,
was another juror who judged Branded Entertainment Lotus & Effective
Lotus. He said: “Asia leads the way in ‘unpredictability’. There’s always
surprising work, and curious work. Even non-sensical work. But it is that
special blend of creativity which is unique in the world, and which means we
needn’t feel we should be looking anywhere else for what great work looks like.
I felt I came away from the experience a better creative. Actually, in my jury,
we all felt that way.”
AUDIO LOTUS There
were 61 entries in the Audio Lotus category with 2 Silver and 2 Bronze winners
awarded, but no Gold or Grande winners.
BRAND
EXPERIENCE LOTUS There
were 203 entries to Brand Experience Lotus Category. Congratulations to Revolver,
Sydney and DDB Sydney which has won the Grande Lotus in Brand
Experience for the Foxtel ‘Grave of Thrones’ campaign.
“It was just so simple, so direct and so perfectly in keeping with the
brand of Game of Thrones. Anyone who saw the work instantly wanted to
experience it for themselves and that is exactly what great brand experience is
all about,” said Rory Brett, VP, Group Creative Director at Jack Morton
Worldwide, Singapore, who judged these categories.
Jamal Hamidi, Executive Creative Director, Global Business at DDB Group
Hong Kong adds: “The
level of craft in the execution was simply stunning, and as an experience, it
really lived and breathed the subject matter. In a category where you tend to
see a lot of CSR and social purpose work, the fact that it had measurable
business results in the form of pay TV subscriptions really lifted this entry
up above the competition.”
The Gold winners in
this category are: ·
TBWA\Hakuhodo, Tokyo
won two Gold trophies for the Para Ping Pong Table’s ‘The Most Challenging Ping
Pong Table’ and ‘The Restaurant of Mistaken Orders’ campaigns ·
Revolver, Sydney and
TBWA\Melbourne, Melbourne: ANZ Bank Australia ‘Signs of Love’ ·
Loong, Beijing,:
Tencent Foundation’s China Organ Donation ‘A Team of One’ ·
McCann
Worldgroup, Tel Aviv: IKEA ‘ThisAbles’.
“All
the work we saw was really inspiring but I think the piece that really stood
out to me was ‘The Restaurant of Mistaken Orders’ by TBWA\Hakuhodo. It had such
a beautiful humanity to it, taking a topic normally kept behind closed doors
and making it accessible with thoughtfulness, care and positivity,” adds Brett.
Regarding IKEA’s ‘ThisAbles’ by McCann Worldgroup, Tel Aviv, Hamidi adds: “I
like how it took 3D printing technology, something that we’ve all come to think
of as a bit of a gimmick, and used it in a meaningful way to make a
difference.”
Regarding
Loong, Beijing’s win, he says: “We were struck by the sheer power and emotion
of ‘A Team of One’. For people who think that brand
experiences exist purely to fit some cliched notion of “surprising and
delighting” people, ‘A Team of One’ proves that a great experience
can touch audiences on a deeper, more profound level.”
Overall, there were 1 Grande, 5 Gold,
4 Silver and 5 Bronze winners in the Brand Experience Lotus category.
BRANDED
ENTERTAINMENT LOTUS From a total of 132 entries to the Branded Entertainment Lotus category,
there were 1 Gold, 7 Silver and 3 Bronze Lotus awards, but no Grande awarded in
this category. Congratulations to Gold-winner TBWA\Hakuhodo, Tokyo, which has won Gold for the Para Ping Pong Table’s
‘The Most Challenging Ping Pong Table’.
“This was a simple yet remarkable design idea that visualised the
challenges faced by para-athletes,” said Ted Lim, Jury President of Branded
Entertainment Lotus & Effective Lotus and an independent Creative
Consultant based in Singapore and Kuala Lumpur, Malaysia.
James Burchill, Creative Founder of Rumble/Rumbletown
in Brisbane, adds: “This campaign connected
us with Paralympians in a new and deeply thoughtful way. We felt the campaign
would create a whole new respect for the players and the sport. The idea,
including the Ping Pong tournament, was irresistible.”
DESIGN LOTUS Design
Lotus received 174 entries, with 1 Grande, 3 Gold, 6 Silver and 10 Bronze
Lotuses awarded. Congratulations to Grande winner Dentsu Creative X Inc.,
Tokyo and Dentsu Inc., Tokyo which wins the top Design accolade for
Mori Building’s ‘Mori Building Brand Movie Designing Tokyo’.
“The
detail is stunning and seamless. It is long, but you are never bored with it.
And it is so rare to experience a piece of motion graphics that you are happy
to re-watch – there’s so much to discover in it. Just beautiful,” said Mark
Braddock, Co-Founder and Creative Director at Block in Perth.
Three
Gold trophies are also awarded to: ·
Dentsu
Inc., Tokyo won two Gold trophies for The One Show 2019 Exhibition in Japan
‘Creativity, Uncaged.’ ·
McCann
Worldgroup, Tel Aviv : IKEA ‘ThisAbles’.
DIGITAL CRAFT LOTUS This
year, there were 74 entries in the Digital Craft
Lotus Category with 1 Grande, 2 Gold, 1 Silver and 11 Bronze winners. Congratulations to Six Inc., Tokyo, Hakuhodo Inc., Tokyo and Hakuhodo Kettle
Inc., Tokyo, the Grande of Digital Craft Lotus winner for
AMAZARASHI’s ‘The Dystopia Experience’.
“The Dystopia Experience is an
inspiration. It raises the bar for the Mobile category and shows where amazing
craft can take us. In a live concert,
there is no room for errors. To still maintain brilliant execution in
delivering an audience-wide immersive mobile experience requires a truly commendable
effort,” said Digital Lotus, Digital Craft
Lotus and Mobile Lotus Jury President Kalpesh Patankar, Chief Creative Officer
MENA at VMLY&R Dubai.
Hamish
Stewart, Creative Partner at GHO Sydney
also judged these categories. He adds: “'Dystopia Experience' actually did
justice to the term ‘experience’, shaping an incredible, immersive live
experience for tens of thousands of concertgoers, with an unfolding story that
led to a rewarding payoff. Orchestrating something like this is incredibly
challenging, with little margin for error. Doing it to this level of craft,
while making the most of the technology available, makes it an undeniable
Grande.”
There are also 2 Gold winners
in Digital Craft Lotus: ·
McCann
Worldgroup
Hong Kong, Hong Kong: Cigna’s ‘See Stress Differently’ ·
Dentsu
Inc.,
Tokyo : ‘Tuna
Scope’ for Sojitz Corporation
DIGITAL LOTUS From
a total of 118 entries to the Digital Lotus category, there were 4 Silver and 2
Bronze Lotus awards. There was no Gold or Grande awarded
Kalpesh
Patankar, Chief Creative Officer MENA at VMLY&R Dubai
and Jury President of Digital Lotus, Digital Craft Lotus and Mobile Lotus
said: “Amidst all the wonderful work, there were a few pieces that stood out,
creating a great deal of debate and discussion among the jury such as ‘Eva
Stories’ and KFC’s ‘Pocket Franchise’.”
“We
decided not to award a ‘Grande’ to any piece this year. This does not take away
from the creative mettle of the entries, but encourages game-changing efforts
for the coming year,” he adds.
Hamish
Stewart, Creative Partner at GHO Sydney
adds: “Now that digital isn't so new anymore, creating ideas that don't feel
somewhat familiar is harder than ever. To really stand out, whether it's in the
marketplace or the jury room, the work needs to be truly surprising, evoking
that sense of humility that makes us all want to try harder. To win Gold, you
really need to demonstrate a level of innovation with the technology itself.”
DIRECT LOTUS There were143 entries
in the Direct Lotus Category with 1 Grande, 4 Gold, 2 Silver and 10 Bronze
winners. CHE Proximity, Melbourne
has won the Grande for the second year running – this time for NRMA Insurance
‘NRMA Safety Hub’.
Jamal
Hamidi, Executive Creative Director, Global Business at DDB Group Hong Kong
said: “‘Safety Hub’ was a fantastic
demonstration of how powerful a direct marketing idea can be. We really admired
how it used data and personalization to create a win for everyone involved,
providing a genuinely better experience for customers, while at the same time,
saving NRMA money as a business.” Congratulations to
this year’s Gold winners in Direct: ·
CHE
Proximity, Melbourne also won
two Golds for NRMA Insurance ‘NRMA
Safety Hub’ and one gold for RACV ‘Cover for their Overconfidence’ ·
Accenture
Interactive China, Shanghai : KFC’s ‘Pocket
Franchise’ ·
Leo
Burnett, Mumbai, India: HDFC Bank ‘#StopMithani’.
eCOMMERCE LOTUS There
were 16 entries to the eCommerce Lotus category with 1 Gold and 1 Silver
winners, but no Grande Lotus in this category. Congratulations to Gold winner BBDO
Bangkok, Thailand for the JD Central Valentine’s Day Campaign, ‘Targeted
Gift’.
“The
idea is brilliant: using your partner’s past browsing history on JD to find the
perfect gift for her/him,” says Cyril Drouin, Chief eCommerce Officer China
& North Asia of Publicis & Co-CEO of Performics China, Shanghai.
“Overall,
I think Asia does lead the way in terms of eCommerce but is definitely behind
in terms of creative. The maturity is not here yet. Budgets might be an issue
as well.”
EFFECTIVE LOTUS This year, there were 50 entries in the Effective Lotus category with 2
Gold, 3 Silver and 1 Bronze winners. There were no Grande in this category.
The Gold trophies
are: ·
Loong, Beijing :
Tencent Foundation’s China Organ Donation, ‘A Team of One’ ·
Dentsu Inc., Tokyo :
Tohoku Shinkansen, ‘Get back, Tohoku!’
“’A Team of One’ was a brilliant idea done on a
massive scale and succeeded where previous organ donation campaigns failed. It
moved some of us to tears. ‘Get Back, Tohoku!’ was an endearing and enduring
campaign that has surprised us year after year. The craft and consistency of
the work were remarkable,” said Jury President Ted Lim, an independent
Creative Consultant based in Singapore and Malaysia.
Akae
Wang, Executive Creative Director at Tencent, Shenzhen,
also judged these categories. He adds: “With simple artwork and timeless copywriting, this series of posters
uses the quietest voice but has the power like a tsunami to touch every user
who loves railroad travel. This is already a classic, and years later, this set
of works still continues to look at the scenery in those inconspicuous
stations. If I could see it, I would love to steal it, really.”
FILM CRAFT LOTUS This
year, the Film Craft Lotus Category received 269 entries. There were 1 Grande,
4 Gold, 11 Silver and 16 Bronze Lotus awards. Congratulations to Film Craft
Grande Lotus winner Dentsu Creative X Inc., Tokyo and Dentsu Inc., Tokyo,
which won the top gong for Mori Building’s ‘Mori Building Brand Movie Designing
Tokyo’.
“This
is a very well thought-through piece of work. From transition, to VFX, to art
direction and the like, you can tell how thoroughly and articulately planned
out it was from the beautifully-crafted result,” said Sling Ng, Film
Director & Co-Founder of Directors Think Tank, Singapore.
Congratulations
to all Gold winners in Film Craft: ·
Dentsu
Creative X Inc., Tokyo has also won a Gold trophy for
Mori Building’s ‘Mori Building Brand Movie
Designing Tokyo’ ·
Grey Japan, Tokyo :
WildAid’s ‘Hankograph’ ·
Dentsu Inc., Tokyo :
Panasonic Corporation ‘Mr. Oil’ ·
116 Pictures, Ho Chi
Minh City and The Purpose Group, Ho Chi Minh City : The Coffee
House ‘2 Letters - TET’ campaign.
“Each
of these four pieces of work shines and tells their stories differently. While ‘Designing Tokyo’ and ‘Hankograph’ were
more technical, ‘Mr Oil’ tells its story by painting it frame by frame – a
totally charming and good old way of filmmaking. ‘2 Letters - TET’ comes
through as honest and moving in storytelling,” explains Ng.
FILM LOTUS In the Film Lotus category, From 272 entries, there
were 1 Grande, 3 Silver and 3 Bronze winners. The Grande is awarded to Colenso BBDO,
Auckland, for DB
Export’s ‘I’m Drinking it For You’. “‘I’m Drinking it for You’ doesn’t take itself too
seriously, and it works. It’s clever, bold and hugely entertaining. And the
more you watch it, the funnier it gets,” said Paul Chan, Chief Creative
Officer at Cheil Hong Kong, who judged this
category.
Choojai and Friends, Bangkok won Gold in Film for Night Night’s ‘Bad Genius
-Watch to Sleep version’.
INNOVA LOTUS The “Magnificent Seven” Jury Presidents, headed by Judy John, Global Chief Creative Officer
at Edelman, Toronto, judged the INNOVA Lotus, Lotus Roots, and Grande
for Humanity.
This
year, the INNOVA Lotus Category received 38 entries. There were 1 Grande and 6
Gold Lotus awards.
The INNOVA Lotus category rewards genuine
innovation, talk-value and results. Dentsu
Inc., Tokyo in
Japan has won the Grande INNOVA Lotus for ‘Tuna Scope’ for Sojitz Corporation.
There are also 6 INNOVA Lotus winners: ·
Dentsu
Inc., Tokyo, Japan: ‘Tuna Scope’ for Sojitz Corporation ·
BBDO
Bangkok, Bangkok:
Homepro, ‘7:1 Furniture Collection’ ·
McCann Worldgroup, Tel Aviv: IKEA, ‘ThisAbles’ ·
Innocean
Worldwide, Seoul, Korea: Hyundai Motor Group, ‘The Quiet Taxi’ ·
ADK
Creative One Inc., Tokyo: Ory Laboratory, ‘Avatar Robot Café’ ·
Havas
Ortega, Manila: City
of Valenzuela, ‘Project Save’.
Ted Lim, an independent Creative Consultant based
in Singapore and Malaysia, said: “My favorite INNOVA Lotus winner was
IKEA ‘ThisAbles’. The idea was brilliantly simple and has the market potential
to benefit many people. I call this ‘useful creativity’. Innovation is not the
monopoly of developed nations. Creative thinking and innovation can come from
anywhere. The challenge is to recognise a great idea when we see one and get it
to market first.”
Mark Braddock, Co-Founder and Creative Director at
Block Branding in Perth and an ADFEST juror, adds: “‘ThisAbles’ was impressive for its
scope. There are a lot of ‘creativity for good’ projects about at the moment
and most feel, at best, a little scammy – just enough has been done to make
them eligible for award shows – and at worst, outright exploitative. Whereas
this was executed on an IKEA-scale. The solutions were simple yet effective and
the overall approach sat nicely with the whole Scandi nature of the IKEA brand.
The whole thing reinforced the IKEA brand without ever feeling tokenistic.”
LOTUS ROOTS Unique to ADFEST, the Lotus Roots category
celebrates ideas that embody local values whether in terms of culture,
religion, beliefs, traditions, or language.
The
Lotus Roots Category received 90 entries. There were 3 Lotus Roots winners
awarded, but no Grande winner awarded to this category.
Lim explains: “The Lotus Roots award is
unique to ADFEST. The work awarded has to demonstrate a cultural relevance that
is unique to its place of origin. Entries from Japan should taste like wasabi,
work from Thailand should smell like Tom Yum.”
Congratulations to all three ADFEST 2020 Lotus Roots
winners: ·
Geek Pictures Inc., Tokyo and Hakuhodo DY Media Partners
Inc., Tokyo : RCC Broadcasting’s ‘Relief Drama’ ·
TBWA\Sri Lanka: Aura’s ‘Aura Incense Barricade’ ·
Dentsu Inc., Tokyo: EUGLENA’s ‘The Last Day of Sushi.
MEDIA LOTUS There
were 132 entries to the Media Lotus category with 4 Gold, 8 Silver and 5 Bronze
winners. There was no Grande awarded.
Congratulations to Gold winners: ·
Taproot Dentsu,
Mumbai : Free Press Journal’s ‘Free
Initiatives’ ·
Innocean Worldwide,
Seoul : Hanwha’s ‘Solar Boat: Clean up
Mekong’ ·
Loong, Beijing :
Tencent Foundation’s China Organ Donation’s ‘A Team of One’ ·
Accenture Interactive
China, Shanghai : KFC, ‘Pocket Franchise’.
Cyril
Drouin, Chief eCommerce Officer China & North Asia of Publicis & Co-CEO
of Performics China, Shanghai says: “Taproot
Dentsu’s Free Press Journal campaign is my favourite Gold winner because it’s
really a bold idea and a really brave idea for a newspaper to change their
header.”
MOBILE LOTUS Mobile
Lotus category received 74 entries, with 1 Grande, 5 Gold, 5 Silver and 7
Bronze trophies. Congratulations to this year’s Grande Mobile winner, Six
Inc. Tokyo, Hakuhodo Inc., Tokyo and Hakuhodo Kettle Inc., Tokyo,
which was awarded the top award in this category for Amazarashi’s ‘The Dystopia
Experience’.
The
five Gold Mobile trophies are awarded to: ·
Dentsu Inc., Tokyo
won two Gold trophies for Sojitz’s Corporation Tuna Scope ·
CHE Proximity, Melbourne :
NRMA Insurance ‘NRMA Safety Hub’ ·
McCann Health Shanghai,
Shanghai: GlaxoSmithKline ‘Breath of Life’ ·
Leo Burnett Israel, Tel Aviv :
K’s Galleries ‘Eva Stories’.
NEW DIRECTOR LOTUS In the New Director Lotus
category, there were 17 entries in this category, with 1 Silver and 2 Bronze winners.
OUTDOOR LOTUS In the Outdoor Lotus category, there were 143 entries
to this category with 1 Grande, 1 Gold, 3 Silver and 3 Bronze awarded. The Grande is awarded to
Revolver, Sydney and TBWA\Melbourne for ANZ Bank
Australia’s ‘Signs of Love’.
“This
is ambitious, powerful and exquisitely crafted – a beautiful idea that spreads
the Mardi Gras love beyond Sydney to reach people all over the country. And it
goes beyond a big idea to create real, meaningful impact. As a jury, we had a
lot of love for this campaign,” says Paul Chan, Chief Creative Officer at
Cheil Hong Kong.
Cheil,
Hong Kong picked up a Gold trophy for the Chupa
Chups ‘A Sweet Escape Campaign: Homework/Music/Tidy-up’.
PR LOTUS In PR Lotus, there were 172
entries with 4 Gold, 7 Silver and 7 Bronze winners, but no Grande awarded.
Congratulations to all Gold PR winners: ·
Dentsu Inc., Tokyo : Kissme, ‘We’re hiring… based
on looks!’ ·
TBWA\Sri Lanka, Colombo: Aura’s ‘Aura Incense Barricade’ ·
Loong, Beijing : Tencent Foundation’s China
Organ Donation, ‘A Team of One’ ·
Leo Burnett, Mumbai : HDFC Bank, ‘#StopMithani’.
Seung Eun Jang, CEO & CCO
at Overman Inc. in Seoul, also judged these categories. She adds:
“Personally, 'A Team of One' by Loong Beijing is my favorite. It delivered the
value of organ donation in a way that had never been thought of. Social media
and public participation made this campaign even bigger and stronger. I was
green with envy when I met this campaign.”
PRESS LOTUS In the Press Lotus category, from
a total of 58 entries, there were 1 Gold, 2 Silver and 1 Bronze winners, but no
Grande awarded. Cheil, Hong Kong is the sole Gold winner, winning Gold
for the Chupa Chups ‘A Sweet Escape Campaign: Homework/Music/Tidy-up’
PRINT & OUTDOOR CRAFT LOTUS In
the Print & Outdoor Craft Lotus category, there were 105 entries with 1
Grande, 2 Gold, 7 Silver and 6 Bronze winners.
The Grande Lotus trophy is awarded to Cheil, Hong Kong for the
Chupa Chups ‘A Sweet Escape Campaign: Homework/Music/Tidy-up’, production by
Illusion CGI Studio, Bangkok.
“This
is one of those campaigns where it is hard to imagine how it could have been
executed better. After viewing a lot of self-important, self-righteous work it
was great to see a lollypop brand happy to be a lollypop brand and not trying
to solve the world’s problems. I appreciated the honesty of that,” said Mark
Braddock, Co-Founder and Creative Director at Block in Perth.
Congratulations
to Gold winners in Print & Outdoor Craft Lotus: ·
Illusion CGI Studio, Bangkok:
Chupa-Chups ‘Homework’ for Illustration ·
Cheil Hong Kong:
Chupa Chups ‘A Sweet Escape Campaign– Homework/Music/Tidy-up’ for Use of
Illustration
GRANDE FOR HUMANITY The Grande for Humanity, which recognizes excellence in Corporate Social
Responsibility or Public Services & Cause Appeals goes to Loong, Beijing for Tencent Foundation’s China Organ Donation ‘A Team of One’.
Ted Lim, an independent Creative Consultant based
in Singapore and Malaysia explains: “The jury was torn between ‘A Team of One’ and IKEA’s
‘ThisAbles’. Both were brilliant pieces of work that worked. They were
different and made a huge difference. Much as we loved ‘ThisAbles’, ‘A Team of
One’ had a bigger challenge and was produced on a bigger scale. The jury
rewarded the team that reached the top of a higher mountain.”
Founded
in 1998, ADFEST is Asia’s longest-running and most celebrated regional creative
festival. ADFEST is included in the WARC Rankings, successor to The Gunn
Report, which combine the winners' lists from the world's most important awards
to establish the annual worldwide league tables for the global advertising
industry.
ADFEST will announce the finalists of the ADFEST
Lotus Awards 2021 in March, followed by a virtual awards ceremony
on 8 April, 2021 at 12pm (UTC+7).
For the complete list of ADFSEST 2020 Grande, Gold, Silver and Bronze winners, click here.
HEAD
OF PR Ms.
Sara Fielding Email:
Sara@ADFEST.com
EDITOR Ms.
Barbara Messer Email:
Barbara@ADFEST.com |
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